No. 24 (2023)

THEORY AND HISTORY OF CULTURE

Traditional Non-Human Identity in Historical and Cultural Dynamics (Using the Example of Elven Identity)

Liudmyla Hots

8-18
- PDF
Book Museums of the Kingdom of Belgium as a Space of Socio-Cultural Communication

Olena Hryhorevska

19-28
- PDF
Anglo-American Fan Studies and Their Impact on the Development of Popular Culture in the Twenty-First Century

Inna Hurova

29-39
- PDF
Cyberpunk as a Metacultural Movement: Philosophical-Cultural Analysis

Valerii Kushnarov

40-48
- PDF
Ancient Egypt Hieroglyphs — Contemporary Reading for Fresh Ideas in Art

Wiesna Mond-Kozlowska

49-64
- PDF
Ukrainian Organisations and Associations That Shape the Image of the Ukrainian Minority in Poland (on the Example of 1991–2019)

Zanna Osikowicz

65-78
- PDF

ADVANCED ISSUES IN ART CULTURE

The Concept of Musical Nationalism in Compositional Creativity: A Theoretical Aspect

Gabriella Astalosh

79-89
- PDF
Borrowing in Visual Art Works: Aspects of Attitude Formation in the Educational Environment

Svitlana Borysova

90-99
- PDF
Arts’s Fight for Life or the Triumphant End of the Avant-Garde

Irina Danilova

100-111
- PDF
Promoting, Developing, and Preserving: Using Performance Award Graded Examinations to Encourage the Performance of Welsh Traditional Music on the 16-String Small Harp

June Elizabeth Fileti

112-120
- PDF
“Gender Portrait” of the Composer Mykola Lysenko

Oksana Frait

121-133
- PDF
The Stone Master by Lesya Ukrainka: The Imagology of Don Juan’s Image in the Context of Ukrainian Gender Issues of the Early 20th Century

Maryna Grynyshyna

134-143
- PDF
The Compositional and Dramaturgical Logic and Musical Expressive Means in the Performance Interpretation of Marian Stârcea’s Variations in G Major for Piano

Inna Hatipova

144-154
- PDF
Genre Classification and the Current State of Turkmen Musical Folklore

Djamilya Kurbanova

155-167
- PDF
The Traditional Winter Repertoire of Rivne Polissia in Viktor Kovalchuk’s Recordings: Genre and Typological Characteristics

Larysa Lukashenko

168-184
- PDF
Viktor Kaminskyi’s Musical Universe

Tetiana Molchanova

185-195
- PDF
Historical Types of Folklore Thinking in the Lyrical Songs of Sloboda Ukraine

Vira Osadcha

196-203
- PDF
Sociocultural Functions of Choral Art in Subcarpathian Ruthenia in the 1920s–1930s

Tetiana Rosul

204-212
- PDF

DESIGN

Visual Art as a Means of Presenting a Fashion Designer’s Creative Idea

Liudmyla Dykhnych

213-226
- PDF
Script and Creating a Religious Identity: The Typography of the Talmud

Efrat Grossman

227-242
- PDF
Signs of the Uniqueness of the Ukrainian Printed Book in the Context of the Global Digitalisation of Art

Viktoriia Oliinyk

243-252
- PDF
The Heritage of Tsarist Russia’s Military Forts as an Object of Postcolonial Revision: Case of the Kaunas School of Art Building 1922–1923

Lina Preisegalaviciene

253-270
- PDF

AUDIOVISUAL ARTS

Attractive Visuality Generation Within the 360˚-VR Video Format as a Technological Trend in Modern Film Production

Ihor Pecheranskyi

271-284
- PDF

Full Issue

THEORY AND HISTORY OF CULTURE

Traditional Non-Human Identity in Historical and Cultural Dynamics (Using the Example of Elven Identity)

Book Museums of the Kingdom of Belgium as a Space of Socio-Cultural Communication

Anglo-American Fan Studies and Their Impact on the Development of Popular Culture in the Twenty-First Century

Cyberpunk as a Metacultural Movement: Philosophical-Cultural Analysis

Ancient Egypt Hieroglyphs — Contemporary Reading for Fresh Ideas in Art

Ukrainian Organisations and Associations That Shape the Image of the Ukrainian Minority in Poland (on the Example of 1991–2019)

ADVANCED ISSUES IN ART CULTURE

The Concept of Musical Nationalism in Compositional Creativity: A Theoretical Aspect

Borrowing in Visual Art Works: Aspects of Attitude Formation in the Educational Environment

Arts’s Fight for Life or the Triumphant End of the Avant-Garde

Promoting, Developing, and Preserving: Using Performance Award Graded Examinations to Encourage the Performance of Welsh Traditional Music on the 16-String Small Harp

“Gender Portrait” of the Composer Mykola Lysenko

The Stone Master by Lesya Ukrainka: The Imagology of Don Juan’s Image in the Context of Ukrainian Gender Issues of the Early 20th Century

The Compositional and Dramaturgical Logic and Musical Expressive Means in the Performance Interpretation of Marian Stârcea’s Variations in G Major for Piano

Genre Classification and the Current State of Turkmen Musical Folklore

The Traditional Winter Repertoire of Rivne Polissia in Viktor Kovalchuk’s Recordings: Genre and Typological Characteristics

Viktor Kaminskyi’s Musical Universe

Historical Types of Folklore Thinking in the Lyrical Songs of Sloboda Ukraine

Sociocultural Functions of Choral Art in Subcarpathian Ruthenia in the 1920s–1930s

DESIGN

Visual Art as a Means of Presenting a Fashion Designer’s Creative Idea

Script and Creating a Religious Identity: The Typography of the Talmud

Signs of the Uniqueness of the Ukrainian Printed Book in the Context of the Global Digitalisation of Art

The Heritage of Tsarist Russia’s Military Forts as an Object of Postcolonial Revision: Case of the Kaunas School of Art Building 1922–1923

AUDIOVISUAL ARTS

Attractive Visuality Generation Within the 360˚-VR Video Format as a Technological Trend in Modern Film Production

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