Arts’s Fight for Life or the Triumphant End of the Avant-Garde

Authors

DOI:

https://doi.org/10.31866/2410-1915.24.2023.287666

Keywords:

Avant-guard, experimental art, Fluxus, Marcel Duchamp, Dada, science, revolution, linear perspective, postmodernism, photography, cinema, cubism, abstractionisms, realism, readymade

Abstract

The aim of the article is to outline a logical sequence of events that led to radicalism in the art of the 19th and 20th centuries by studying the connections between art, life (reality), and science and technology. From the mid-nineteenth century through the 1970s, art acquired a unique quality: it rapidly radicalised, creating a number of alternative art practices, such as impressionism, abstractionism, cubism, ready-made, etc. Before that, except for random individual phenomena, art for centuries was just changing styles: Baroque, Rococo, Classicism. Results. The article identifies the cause for the revolutionary avant-garde trends in art and the reason for the end of the revolutionary era. It presents a view based on art’s relations with life in competition with science and technology that had different effects on art, ranging from influentially adaptive to revolutionary rebellious. The scientific significance of this study is its innovative approach to the consideration of factors of the emergence and development of avant-garde trends in the art of the 19th and 20th centuries. The rational study and comparable analyses of events in science/ technology and art in relation to life (reality) offers an inventive and coherent reason for the appearance and disappearance of avant-guard art. Conclusions. This article identifies the cause for the revolutionary avant-garde trends in art and the reason for the end of the revolutionary era. It presents a unique view based on art’s relations with life in competition with science and technology and shows how an inadvertent battle of art for life (reality) with photography, film and television triumphed in the twentieth century and broke the very possibility of further revolutionary changes.

Author Biography

Irina Danilova, MFA in Fine Art from SVA; Kingsborough Community College, The City University of New York

Artist, Curator, Executive Director of Project 59, Inc.; Associate Professor of Art

References

Dada at the Museum of Modern Art. (1968, April 8). Newsweek, 71(15), 132 [in English].

Holy Trinity (Masaccio). (2023, May 10). In Wikipedia. https://en.wikipedia.org/wiki/Holy_Trinity_(Masaccio) [in English].

Kandinsky, W. (1912). Über das Geistige in der Kunst [About the spiritual in art] (2nd ed.). Piper and Company [in German].

Popper, F. (1968). Origins and development of Kinetic Art. Studio Vista [in English].

Tomkins, C. (1996). Duchamp: A Biography. Henry Holt [in English].

Tomkins, C. (2013). Marcel Duchamp: The Afternoon interviews. Badlands Unlimited [in English].

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Published

2023-09-22

How to Cite

Danilova, I. (2023). Arts’s Fight for Life or the Triumphant End of the Avant-Garde. Culture and Arts in the Modern World, (24), 100–111. https://doi.org/10.31866/2410-1915.24.2023.287666

Issue

Section

ADVANCED ISSUES IN ART CULTURE