No. 21 (2020)

THEORY AND HISTORY OF CULTURE

CHINESE MUSICAL TRADITIONS: STAGES OF DEVELOPMENT

Maryna Antoshko

11-22
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AESTHETICS OF MODERNITY AT THE TURN OF THE CENTURY: MODERN – POSTMODERN – HYPERMODERN – METAMODERN

Nadiia Babii

23-33
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EVOLUTION AND DEVELOPMENT OF MUSEUM EXHIBITION DISPLAY: HISTORICAL AND CULTURAL APPROACH

Tetiana Behal

34-41
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ECOLOGICAL CULTURE IN THE CONTEXT OF THE CONCEPT OF SUSTAINABLE DEVELOPMENT: THE UKRAINIAN REALITIES AND PROSPECTS

Maryna Bratitsel

42-53
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ACTIVITIES OF THE INNOVATIVE PROJECT “TREASURES OF THE NATION” BY THE SCIENTIFIC LIBRARY OF THE KYIV NATIONAL UNIVERSITY OF CULTURE AND ARTS

Alla Havryliuk, Larysa Rybka, Olena Skachenko

54-68
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THE INTERNATIONAL ACTIVITY OF THE UKRAINIAN BOOK PUBLISHING INDUSTRY

Olena Karakoz

69-80
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MEDIATION IN THE CONTEXT OF THE EDUCATIONAL ACTIVITY OF THE MODERN MUSEUM

Yuliia Kliuchko

81-89
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CULTURAL DIMENSION OF THE UKRAINIAN MEDIA SPACE IN INTERACTION WITH THE AMERICAN MODEL OF NEWS REPORTING

Oleksii Krasnenko

90-104
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INTERNATIONAL TOURISM AS A FORM AND MEANS OF THE DIALOGUE OF CULTURES

Serhii Krasovskyi

105-115
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SOVIET HOLIDAYS AND CEREMONIES AS AN UNSUSTAINABLE SOCIOCULTURAL EXPERIMENT

Oleksander Kurochkin

116-130
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A WOMAN IN THE UKRAINIAN RITUALS OF THE WINTER CALENDAR CYCLE

Olena Lyniuk

131-147
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THE HIGHLIGHTS OF MULTICULTURAL EDUCATION IN CANADA

Yuliia Rybinska, Iryna Hlazkova, Oksana Chervenko, Taisiia Ponochovna-Rysak, Larysa Guba

148-159
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INTERACTION OF LANGUAGE AND CULTURE IN THE PROCESS OF FOREIGN LANGUAGE STUDYING AT HIGHER EDUCATION ESTABLISHMENTS

Nataliia Sarnovska

160-171
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SCIENTIFIC AND TECHNOLOGICAL PROGRESS IN THE CONTEXT OF DEVELOPMENT OF “TECHNOLOGICAL” SOCIETY

Julia Trach

172-181
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WELLNESS CULTURE AS A FACTOR OF FORMATION OF WELLNESS-INDUSTRY

Lesia Ustymenko

182-190
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CULTURAL INDUSTRIES AS A METHOD OF SELF-EXPRESSION

Kateryna Yatsko

191-200
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ADVANCED ISSUES IN ART CULTURE

BACHATA AS A DANCE FORM: PERFORMANCE AND PECULIARITIES OF ARTISTIC IMAGE

Roman Hrytseniuk

201-209
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TRADITIONS BACKGROUND IN THE UKRAINIAN PROFESSIONAL THEATRE (THROUGH OUTSTANDING THEATRE ARTISTS’ WORK)

Kateryna Matvieieva

210-219
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SIMONETTA VESPUCCI IN THE MIRROR OF RENAISSANCE ART: IMAGE OR ART IMAGE?

Rada Mykhailova

220-230
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VISUAL PLASTIC EXPRESSIVENESS IN THE CONTEXT OF THE UKRAINIAN THEATRE ART DEVELOPMENT (the 1990s – early 2000s)

Ruslan Nуkonenko

231-240
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BALLET CRITICISM ON THE PAGES OF THE NEW ART MAGAZINE (KHARKIV, 1925-1928)

Alina Pidlypska

241-250
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HIGHLIGHTS ON THE THEORY AND PRACTICE OF CHROMATOLOGY AND ITS APPLICATION IN THE ART OF HAIRDRESSING

Olena Savitska

251-263
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PRESENTATION ACTIVITIES OF THE LVIV LITERARY AND ART ASSOCIATIONS AT THE BEGINNING OF THE 1920s

Liliia Syrota

264-280
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AUDIOVISUAL ARTS

LEGAL REGULATION OF TELEVISION PROGRAMME FORMAT AS A MEDIA PRODUCT

Anastasiia Zaitseva

281-290
- PDF

Full Issue

THEORY AND HISTORY OF CULTURE

CHINESE MUSICAL TRADITIONS: STAGES OF DEVELOPMENT

AESTHETICS OF MODERNITY AT THE TURN OF THE CENTURY: MODERN – POSTMODERN – HYPERMODERN – METAMODERN

EVOLUTION AND DEVELOPMENT OF MUSEUM EXHIBITION DISPLAY: HISTORICAL AND CULTURAL APPROACH

ECOLOGICAL CULTURE IN THE CONTEXT OF THE CONCEPT OF SUSTAINABLE DEVELOPMENT: THE UKRAINIAN REALITIES AND PROSPECTS

ACTIVITIES OF THE INNOVATIVE PROJECT “TREASURES OF THE NATION” BY THE SCIENTIFIC LIBRARY OF THE KYIV NATIONAL UNIVERSITY OF CULTURE AND ARTS

THE INTERNATIONAL ACTIVITY OF THE UKRAINIAN BOOK PUBLISHING INDUSTRY

MEDIATION IN THE CONTEXT OF THE EDUCATIONAL ACTIVITY OF THE MODERN MUSEUM

CULTURAL DIMENSION OF THE UKRAINIAN MEDIA SPACE IN INTERACTION WITH THE AMERICAN MODEL OF NEWS REPORTING

INTERNATIONAL TOURISM AS A FORM AND MEANS OF THE DIALOGUE OF CULTURES

SOVIET HOLIDAYS AND CEREMONIES AS AN UNSUSTAINABLE SOCIOCULTURAL EXPERIMENT

A WOMAN IN THE UKRAINIAN RITUALS OF THE WINTER CALENDAR CYCLE

THE HIGHLIGHTS OF MULTICULTURAL EDUCATION IN CANADA

INTERACTION OF LANGUAGE AND CULTURE IN THE PROCESS OF FOREIGN LANGUAGE STUDYING AT HIGHER EDUCATION ESTABLISHMENTS

SCIENTIFIC AND TECHNOLOGICAL PROGRESS IN THE CONTEXT OF DEVELOPMENT OF “TECHNOLOGICAL” SOCIETY

WELLNESS CULTURE AS A FACTOR OF FORMATION OF WELLNESS-INDUSTRY

CULTURAL INDUSTRIES AS A METHOD OF SELF-EXPRESSION

ADVANCED ISSUES IN ART CULTURE

BACHATA AS A DANCE FORM: PERFORMANCE AND PECULIARITIES OF ARTISTIC IMAGE

TRADITIONS BACKGROUND IN THE UKRAINIAN PROFESSIONAL THEATRE (THROUGH OUTSTANDING THEATRE ARTISTS’ WORK)

SIMONETTA VESPUCCI IN THE MIRROR OF RENAISSANCE ART: IMAGE OR ART IMAGE?

VISUAL PLASTIC EXPRESSIVENESS IN THE CONTEXT OF THE UKRAINIAN THEATRE ART DEVELOPMENT (the 1990s – early 2000s)

BALLET CRITICISM ON THE PAGES OF THE NEW ART MAGAZINE (KHARKIV, 1925-1928)

HIGHLIGHTS ON THE THEORY AND PRACTICE OF CHROMATOLOGY AND ITS APPLICATION IN THE ART OF HAIRDRESSING

PRESENTATION ACTIVITIES OF THE LVIV LITERARY AND ART ASSOCIATIONS AT THE BEGINNING OF THE 1920s

AUDIOVISUAL ARTS

LEGAL REGULATION OF TELEVISION PROGRAMME FORMAT AS A MEDIA PRODUCT

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