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No. 21 (2020)
No. 21 (2020)
Published:
2020-07-22
Full Issue
PDF
THEORY AND HISTORY OF CULTURE
CHINESE MUSICAL TRADITIONS: STAGES OF DEVELOPMENT
Maryna Antoshko
11-22
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AESTHETICS OF MODERNITY AT THE TURN OF THE CENTURY: MODERN – POSTMODERN – HYPERMODERN – METAMODERN
Nadiia Babii
23-33
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EVOLUTION AND DEVELOPMENT OF MUSEUM EXHIBITION DISPLAY: HISTORICAL AND CULTURAL APPROACH
Tetiana Behal
34-41
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ECOLOGICAL CULTURE IN THE CONTEXT OF THE CONCEPT OF SUSTAINABLE DEVELOPMENT: THE UKRAINIAN REALITIES AND PROSPECTS
Maryna Bratitsel
42-53
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ACTIVITIES OF THE INNOVATIVE PROJECT “TREASURES OF THE NATION” BY THE SCIENTIFIC LIBRARY OF THE KYIV NATIONAL UNIVERSITY OF CULTURE AND ARTS
Alla Havryliuk, Larysa Rybka, Olena Skachenko
54-68
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THE INTERNATIONAL ACTIVITY OF THE UKRAINIAN BOOK PUBLISHING INDUSTRY
Olena Karakoz
69-80
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MEDIATION IN THE CONTEXT OF THE EDUCATIONAL ACTIVITY OF THE MODERN MUSEUM
Yuliia Kliuchko
81-89
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CULTURAL DIMENSION OF THE UKRAINIAN MEDIA SPACE IN INTERACTION WITH THE AMERICAN MODEL OF NEWS REPORTING
Oleksii Krasnenko
90-104
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INTERNATIONAL TOURISM AS A FORM AND MEANS OF THE DIALOGUE OF CULTURES
Serhii Krasovskyi
105-115
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SOVIET HOLIDAYS AND CEREMONIES AS AN UNSUSTAINABLE SOCIOCULTURAL EXPERIMENT
Oleksander Kurochkin
116-130
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A WOMAN IN THE UKRAINIAN RITUALS OF THE WINTER CALENDAR CYCLE
Olena Lyniuk
131-147
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THE HIGHLIGHTS OF MULTICULTURAL EDUCATION IN CANADA
Yuliia Rybinska, Iryna Hlazkova, Oksana Chervenko, Taisiia Ponochovna-Rysak, Larysa Guba
148-159
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INTERACTION OF LANGUAGE AND CULTURE IN THE PROCESS OF FOREIGN LANGUAGE STUDYING AT HIGHER EDUCATION ESTABLISHMENTS
Nataliia Sarnovska
160-171
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SCIENTIFIC AND TECHNOLOGICAL PROGRESS IN THE CONTEXT OF DEVELOPMENT OF “TECHNOLOGICAL” SOCIETY
Julia Trach
172-181
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WELLNESS CULTURE AS A FACTOR OF FORMATION OF WELLNESS-INDUSTRY
Lesia Ustymenko
182-190
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CULTURAL INDUSTRIES AS A METHOD OF SELF-EXPRESSION
Kateryna Yatsko
191-200
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ADVANCED ISSUES IN ART CULTURE
BACHATA AS A DANCE FORM: PERFORMANCE AND PECULIARITIES OF ARTISTIC IMAGE
Roman Hrytseniuk
201-209
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TRADITIONS BACKGROUND IN THE UKRAINIAN PROFESSIONAL THEATRE (THROUGH OUTSTANDING THEATRE ARTISTS’ WORK)
Kateryna Matvieieva
210-219
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SIMONETTA VESPUCCI IN THE MIRROR OF RENAISSANCE ART: IMAGE OR ART IMAGE?
Rada Mykhailova
220-230
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VISUAL PLASTIC EXPRESSIVENESS IN THE CONTEXT OF THE UKRAINIAN THEATRE ART DEVELOPMENT (the 1990s – early 2000s)
Ruslan Nуkonenko
231-240
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BALLET CRITICISM ON THE PAGES OF THE NEW ART MAGAZINE (KHARKIV, 1925-1928)
Alina Pidlypska
241-250
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HIGHLIGHTS ON THE THEORY AND PRACTICE OF CHROMATOLOGY AND ITS APPLICATION IN THE ART OF HAIRDRESSING
Olena Savitska
251-263
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PRESENTATION ACTIVITIES OF THE LVIV LITERARY AND ART ASSOCIATIONS AT THE BEGINNING OF THE 1920s
Liliia Syrota
264-280
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AUDIOVISUAL ARTS
LEGAL REGULATION OF TELEVISION PROGRAMME FORMAT AS A MEDIA PRODUCT
Anastasiia Zaitseva
281-290
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