STAGE IMAGES OF ROCK MUSICIANS AND THEIR INFLUENCE ON THE FORMATION OF MODERN TRENDS IN CLOTHING DESIGN
DOI:
https://doi.org/10.31866/2410-1915.22.2021.235914Keywords:
stage costume, fashion, trends, history of music, rock music, clothing designAbstract
The purpose of the article is to reveal the influence of stage images of rock musicians on fashion design trends formation. Research methodology: the authors of the article use methods of source study analysis to determine the level of scientific development of the issue, comparative historical analysis to identify the characteristic features of images of musicians and catwalk models of clothing collections of famous designers, and theoretical generalization to draw conclusions. The scientific novelty of the work is to highlight the influence of stage images of musicians on the formation of modern trends in fashion design. The analysis of genre affiliation reveals stylistic differences of the stage costume of popular musicians of the USA and Europe. Some stylistic characteristics of the artists’ stage clothing could be traced in the collections of famous fashion brands of the 21st century, such as Balenciaga, Philipp Plein, Vetements, Alexander Wang, Alexander McQueen, and others. Conclusions. The research reveals the main stylistic features of the stage costume of hard rock and heavy metal musicians. Stage images of artists were innovative and widely used in fashion design of the 20th and early 21st century. The active influence of musicians on fashion trends began in the 60s and 70s of the twentieth century, which coincided with the development of stage costume design and the significant spread of media technology. Hard rock and heavy metal performers created and popularized such a style direction as “grunge”, which is one of the leading musical trends in 2020–2021. Designers of the 21st century borrowed many details, visual and stylistic features, and even concepts for brands from popular hard and heavy artists of the 1970s–1990s. Stage images of rock musicians have a significant impact on the development of fashion and design.
References
Blackwell, R., & Stephan, T. (2004). Brands That Rock: What Business Leaders Can Learn from the World of Rock and Roll. John Wiley & Sons [in English].
Daniels, N. (2016). Judas Priest – A Metal Gods Scrapbook. CreateSpace [in English].
Gutov, E. V. (2014). Khevi-metal rok: opyt sistemnogo opisaniya [Heavy Metal Rock: an Experience of Systematic Description]. Vestnik Nizhnevartovskogo gosudarstvennogo universiteta, 1, 3–18 [in Russian].
Jones, S. J. (2011). Fashion Design (3rd ed.). Laurence King Publishing [in English].
Kummer, J. (2016). "Lipstick and Leather": Recontextualizations of Glam Metal’s Style and Signification. University of Lethbridge Research [in English].
Leaf, D., & Sharp, K. (2003). KISS: Behind the Mask. The Official Authorized Biography. Grand Central Pablishing [in English].
Leonard, H. (1989). Judas Priest – Metal Cuts. Hal Lenard Corporation [in English].
Mann, B. (2019). Guns and Roses: Adult Coloring Book: Famous American Rock’n’Roll Idols and Legendary Axl Rose, Iconic Guitar Axe Slash and Hard Rock Pioneers Inspired Adult Coloring Book. CreateSpace [in English].
Mirabella, M. (2017). Heavy Metal and Globalization Reception Study on the Metal Community in the Global South. Stockholm University [in English].
Morrell, E. (2004). Becoming Critical Researchers: Literacy and Empowerment for Urban Youth (Counterpoints). College Press [in English].
Otkydach, V. M. (2008). Rok-muzyka yak sotsiokulturne yavyshche [Rock Music As a Socio-Cultural Phenomenon] [Abstract of DSc Dissertation]. Kharkiv State Academy of Culture [in Ukrainian].
Shcherbak, A. Yu., & Kyselova, K. O. (2019, March 20–21). Vplyv muzychnykh zhanriv khard-rok ta khevi metal na modu XXI stolittia [The Influence of Hard Rock and Heavy Metal Music Genres on the Fashion of the XXI Century]. In Ukraina u svitovykh hlobalizatsiinykh protsesakh: kultura, ekonomika, suspilstvo [Ukraine in the Globalization Processes: Culture, Economy, Society], Abstracts of Papers of the Internetional Scientific and Practical Conference (Pt. 2, pp. 52–56). KNUKiM Publishing Center [in Ukrainian].
Shepherd, J., Horn, D., Laing, D., Oliver, P., & Wicke, P. (Eds.). (2003). Continuum Encyclopedia of Popular Music of the World: Media, Industry and Society (Vol. 1). Continuum Publisher [in English].
Simmons, G., & Stanley, P. (2002). KISS: The Early Years. Plexus [in English].
Sims, J. (2001). Rock Fashion. Omnibus Press [in English].
Sinnreich, A., & Gluck, M. (2005, January 29). Music & Fashion: The Balancing Act Between Creativity and Control. Annenberg School for Communication [in English].
Smith, M. (2018). Grange Society. University of Michigan [in English].
Stanley, P. (2019). Backstage Pass (4th ed.). HarperOne [in English].
Velichko, I. V. (2013). Vzaimoproniknovenie muzyki khevi-metal i sovremennosti [The Interpenetration of Heavy Metal Music and Modernity]. Gumanitarnye vedomosti TGPU imeni L. N. Tolstogo, 1-2(5-6), 49–53 [in Russian].
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Kateryna Kyselova, Olha Shandrenko, Alina Shcherbak
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish in this journal agree to the following terms:
1) The authors reserve the right to the authorship of their work and transfer to the journal the right to first publish this work under the terms of the Creative Commons Attribution License, which allows others to freely distribute the published work with a mandatory reference to the authors of the original work and the first publication of the work in this journal.
2) The authors have the right to enter into independent additional agreements for non-exclusive distribution of the work in the form in which it was published by this journal (for example, to place the work in the electronic repository of the institution or to publish it as part of a monograph), provided that the reference to the first publication of the work in this journal is maintained.
3) The journal's policy allows and encourages authors to post their manuscripts on the Internet (for example, in institutional repositories or on personal websites) both before submitting the manuscript to the editorial board and during its editorial processing, as this contributes to the emergence of a productive scientific discussion and has a positive effect on the efficiency and dynamics of citation of published work (see The Effect of Open Access).