SYMPHONIC DISCOURSE IN THE WORK OF VALERIY ANTONYUK

Abstract

Relevance of the study of the genesis and peculiarities of the development of Ukrainian symphonic music on the current stage of the national cultural paradigm formin. In the paper devoted to symphonic work of the modern Ukrainian composer Valeriy Antonyuk the basic features of his music style are considerеd. His creative tandem with conductor Victoria Zhadko is representеd. The works by V. Antonyuk that are stage for development of Ukrainian symphonic music are identified and analysеd. The obiective of the article congists is the attempt to analyze V. Antonyuk’s symphonic method in cultural discourse as a phenomenon of the totality of artistic, valued, semantic and communicative components. The task of the study: оn the application of the discourse of orchestral performances by composer V. Antonyuk by the conductor V. Zhadko to trace a process of musical images creation in the framework of culturological paradigm «author – conductor – listener». Methodology of investigation consists in combining of analysis and synthesis of biographic determination descriptive method’s (of the main factor of classical romantic tradition as well as of the culturological phenomenon in the artistic, aesthetic and stylish purposes) with integral musicology analysis of symphony discourse in the creative works by V. Antonyuk. Scientific novelty of work consists in a holistic analysis of V. Antonyuk’s musical works taking into account their place in the sociocultural context of contemporaneity. Conclusions. V. Antonyuk in the framework of modern symphonic thinking, overcome by aspiration to a special expressiveness of musical material – сarries out a constructive renewal of symphonic style achieving outstanding results which is an indisputable stimulus for further study of the work of this contemporary Ukrainian composer.