CREATIVE ACHIEVEMENTS OF THE LEADING MUSIC BANDS OF UKRAINE
DOI:
https://doi.org/10.31866/2410-1915.18.2017.155685Keywords:
music bands, festivals, line-up, prime timeAbstract
The article is devoted to the examination of modern Ukrainian variety art and show business. The purpose of the article is to analyze the creative achievements of young national bands and artists in the international music arena and define their cultural value to Ukrainian culture and art. The problem setting is conditioned by the lack of information in scientific sources about the development of modern music culture in Ukraine during the past decade. The scientific novelty of the article is based on the exploraton of the main trends in popular music and the development of new genres. The research methodology consisted in a combination of biographical and textual analysis. The study was concerned with the history and achievements of young music bands, as well as problems of modern show business and their impact on the development of music, based on the analysis of music internet space and articles in specialized music publications. Conclusions. It was proved that Ukraine today is a favorable environment for the development of young music artists; over the past few years there has been a large number of lovers of the domestic music product. New performers decently represent Ukraine abroad and have reached higher positions than their predecessors. It can be stated that, through them, Ukrainian music occupies one of the leading positions in the European music space, which is proved by hosting «Eurovision–2017» in Kyiv.References
Babich, D.R. (2007). Formation of performance mastery of future artists of variety music bands .Abstract of the PhD diss. (pеd. sci.) The theory and methods of teaching music and music education, Kyiv National University of Culture and Arts.
Denysiuk, Ya. (2016). Who are wanted at festivals by Ukrainian organizers? Infographics. Available at: <http://www.neformat.com.ua/articles/kogo-khochut-bachiti-na-festivalyakh-ukrayinski-organizatori-info grafika.html> [Accessed 23 May 2007].
Didenko, M. (2017). 7 Ukrainian bands that became famous abroad more than in Ukraine. Available at: <http://gloss.ua/citynews/109651-7-ukrajinskih-gurtiv-yaki-za-kordonom-proslavilisya-bilshe-nizhv-Ukrajini> [Accessed 3 April 2017].
Haivoronska, O. (2016). The way Ukraine sounds: 700 bands and artists. Available at: <http://www.pravda.com.ua/articles/2016/04/15/7103172/> [Accessed 15 January 2016].
Mozhovyi, M.P. (2007)/ Formation and tendencies of development of the Ukrainian pop song. Abstract of the PhD diss. (cultur. sci.) Theory and history of culture. Kyiv National University of Culture and Arts.
National against foreigners: the study of the popularity of artists in Ukraine (2016). Available at: <https://karabas.com/news/svoi-protiv-chuzhih-issledovanie-populyarnosti-artistov-v-ukraine> [Accessed 1 March 2017].
Tormakhova, V.M. (2004). Ukrainian pop music and folklore: interpenetration and synthesis. Abstract of the PhD diss. (art. sci.) Music Art, Tchaikovsky National Music Academy of Ukraine.
Ukrainians love rock and pop. (2016). Available at: <https://karabas.com/news/ukraincy-lyubyat-rok-i-popsu>
Cherkashyna-Hubarenko, M. (2009). Ukrainian music in the modern media space. Mystetstvoznavstvo Ukrainy [Art studies of Ukraine], pp. 78–82.
Wickström, D. (2008). «Drive-Ethno-Dance» and «Hutzul Punk»: Ukrainian-Associated Popular Music and (Geo) politics in a Post-Soviet Context, Yearbook for Traditional Music, vol. 40, pp. 60–88. doi: 10.1017/S0740155800012108
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2017 Berezhnyk Sviatoslav
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish in this journal agree to the following terms:
1) The authors reserve the right to the authorship of their work and transfer to the journal the right to first publish this work under the terms of the Creative Commons Attribution License, which allows others to freely distribute the published work with a mandatory reference to the authors of the original work and the first publication of the work in this journal.
2) The authors have the right to enter into independent additional agreements for non-exclusive distribution of the work in the form in which it was published by this journal (for example, to place the work in the electronic repository of the institution or to publish it as part of a monograph), provided that the reference to the first publication of the work in this journal is maintained.
3) The journal's policy allows and encourages authors to post their manuscripts on the Internet (for example, in institutional repositories or on personal websites) both before submitting the manuscript to the editorial board and during its editorial processing, as this contributes to the emergence of a productive scientific discussion and has a positive effect on the efficiency and dynamics of citation of published work (see The Effect of Open Access).