DECORATIVE AND ARTISTIC FEATURES OF DESIGNING RURAL HOUSING IN NADDNIPRIANSHCHYNA (THE LATE 19TH - EARLY 20TH CENTURY)

Abstract

The purpose of the article is to study and analyze the decorative and artistic features of designing rural housing in Naddniprianshchyna in the late nineteenth and early twentieth centurу. The research methodology consisted in the set of basic principles: objectivity, historicism, systemicity, multifactorness, complexity, development and pluralism; to fulfill the research purpose, the following methods of scientific knowledge were used: problem-chronological, concrete-historical, statistical, descriptive, and logical-analytical. The scientific novelty of the work lies in the art critical analysis of decorative and artistic features of designing rural housing in Naddniprianshchyna in the late nineteenth and early twentieth century in the context of identifying traditional features of Ukrainian art modernism; the study of characteristic features of design, decoration and interior; the consideration of peculiarities of the internal subject environment of the modernist style of the late nineteenth and early twentieth century. Conclusions. As a result of the art critical analysis of the decorative and artistic features of designing rural housing in Naddniprianshchyna in the late nineteenth and early twentieth century, it was discovered that the assimilation by Ukrainian culture - in particular, the domestic modernism – of the semantic principles of Western and Oriental art was the embodiment of a certain qualitative specificity of human relations with the world, which affected the peculiarities of the internal subject environment of the modernist style of the late nineteenth and early twentieth century. The materializing tradition of the exterior and interior of the Ukrainian dwelling, with its locally-regional constructive and decorative-artistic features, becomes an embodiment of a distinctive artistic and aesthetic reality.